Tinkering 2025-11-02 »

Tinkering: 2025-11-23: Simon 4 Shirt


animated rotation This is my eleventh shirt, numbered 4, the fifth one that survives, the first shirt not classified as a test.

front This shirt uses essentially the same pattern as the previous shirt 3.8. It is a bit optimised, though: the tips of the collar stand are tilted up by 8mm now, to make it sit right. I can now close the top button without a weird fold in the button placket. However, I will probably wear this with the top button open most of the time.

Another small pattern change is the neck hole, which was redrawn to make it smoother. This removes a few wrinkles from the shoulder seam (hidden by the collar, but anyway...).

front The style of this shirt is a little different than the previous one: this has no front yoke, has a welt pocket instead of an in-seam pocket, and it has a collar. The button placket is now concealed, which could not be done with the previous thick fabric.

This is still no button-down shirt, but has a fake button placket for decoration, and a concealed button placket at the top for two buttons.

back The back of the shirt looks like a good fit, too. I am very happy with the outcome of the series of test shirts.

front There are two fabrics used for this, a red and a blue one, which are essentially the same otherwise, with the same pattern. I wanted to make the pattern match up wherever possible, so I spent a lot of time on the button placket, the welt pocket, and the sleeve plackets.

The fabric alignment took a lot of time. I doubt I would have liked to pay a taylor for this. The welt pocket alone took eight hours to get right, because I wanted such a precision. I used paper masking tape to align the fabric before doing the critical stitches.

welt pocket The welt pocket is one of the most confusing examples, I think -- it looks almost like a rectangular filter is applied to the fabric. The effect is so pronounced, I think, because the welt pocket has no visible seams -- all the stitches are on the inside.

The inner pocket fabric also matches up, although this is not visible, because it's inside of the pocket -- but I know it's there! Well, if you looked into the pocket, you'd see that the fabric pattern continues.

This was also my first welt pocket, and there is room for improving my technique. I will need to increase the start/end accuracy of the top and bottom welt seams next time -- despite working eight hours on the pocket, these seams are a bit sloppy, and the pocket is a bit crooked in the corners, because the top and bottom seams of the pocket do not start and end perfectly vertically aligned. I am still learning where to apply precision and where pragmatism is OK...

back, collar Generally, the details that are normally visible use the red fabric, while details that are normally hidden use the blue fabric. At the collar, this means that red and blue alternate.

With a fabric pattern like this, there is a danger to accidentally get half-aligned patterns, which will look like they could be aligned better. So wherever fabric cannot be aligned perfectly, I tried to make sure that there is no accidental near-alignment either -- the eye is very good at constructing these.

This is why the fabric of the collar is rotated by 90 degrees wrt. the yoke. And the collar vs. collar stand direction of the fabric is reversed.

Another danger zone is the yoke to back seam, which cannot be aligned perfectly, because the back is slightly curved. Here, again, the fabric direction is reversed to avoid accidental near-alignment.

Let's imagine that the paisley pattern direction is the dominant swimming direction of the amoebae. Then in the back, the amoebae swim down, in the yoke, in the front, and in the sleeves, they swim up. And in the collar and cuffs, they swim sideways. And in the collar stand vs. collar, they swim opposite directions (left-to-right vs. right-to-left), both when the collar is folded up and when folded down (it's four pieces of fabric).

Yes, it's overdone, but it was fun.

back, pleats The back pleats are accidentally moved outward another 1cm compared to the previous shirt. I had made a mistake in my measurements... In the end, the pleats look great, I think, as they blend in with the sleeve folds. I am not sure whether this or the previous pleat location is my favorite.

back, pleats give space for movement The pleats work very well to ease arm movement.

brace The space on the back is needed when I do this.

logo These are the cuffs and the sleeves with their plackets, which are also pattern aligned, but then one of them has my logo, hiding most of the alignment.

logo It took around four hours per sleeve to align these plackets, and I had to use a different technique to be able to align these (and the same with the button placket), because they are normally sewn in from the back side with very little chance to put them exactly in the right spot before stitching. So instead, I pre-stitched around the rectangle of the fabric slit to secure the fabric for the cut, then cut the fabric, and then attached the folded plackets from the front side.

Both the upper and lower part of the plackets are aligned, which is, again, a little bit overdone, maybe.

And then half of the carefully aligned placket is now hidden with the logo. :-)

blood To avoid plastic in the shirt, I again substituted glue-on interfacing with pieces of an old cushion cover fabric, which is linnen. Because it's not glued, it needs to be sewn in, so there are a few additional seams in the cuffs and the collar stand. This one is reassembled, as I had to recut the collar stand, so you can see the stitch holes in the interfacing where it was and will be sewn to the fabric.

Also, I marked the shirt with my own blood that I spill often when working with needles...


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November 24th, 2025
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